I first saw it a long time ago and, truth be told, thought it was cute enough but just didn’t understand the popularity that led to things like 24-hour marathons of it on TV.īut watching it last year, it occurred to me that it was exactly the sort of gently funny, nostalgic trip back to a simpler time that we all needed. “A Christmas Story” fell into the latter category. Parker unpacks the "major award" he won in a crossword puzzle contest while Reed Schwieterman, Kyrie Crist and Garrett Ensign look on in a scene from "A Christmas Story" at the Croswell Opera House.ĪDRIAN - Last Christmas season, as the pandemic left me with time I wouldn’t have had otherwise, I decided to watch some of those holiday movies I’d either never seen or hadn’t in a long time.
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HOW TO ORDER: By calling 51 or online at croswell.Steven Kiss as Mr. And that’s what I love about Cole Porter the most.” If you go Those range from a soft-shoe for Antalek that DiPietro wanted added in just so audiences could see some of that historical dance form, to an Act I finale that Nowak choreographed so it steadily grows from just three tap-dancers into a huge tap number. And it’s the kind of show that just has to keep on moving.”Īnd he thinks audiences will love watching and listening as it all unfolds onstage: the zaniness of the plot, all that Cole Porter music, and the dancing. “The vocals, the dance, the timing are all huge. “The show is big, and it’s hard,” he said. It’s also a challenge for everyone involved. McCloskey as Eli Whitney are pictured in a scene from "Anything Goes" at the Croswell Opera House. Mary Rumman as Evangeline Harcourt and William E. “And it’s one of a handful of the oldies that I love.” “It’s one of those great American shows,” he said. It’s the first show he ever directed as a member of the Siena Heights University theater faculty, and he directed the Croswell’s most previous production of it.
His fondness for the show has its personal side, too. “His lyrics resonate with all of us,” he said.
To him, all those iconic Porter tunes, which come in styles ranging from torch songs and ballads to huge production numbers, are part of what give the show its lasting appeal. “In the ‘20s it was ‘Show Boat’ and then in the ‘40s it was ‘Oklahoma!’ These were things that reinvigorated musical theater.” “I think this is THE show of the 1930s,” he said. “There’s ‘I Get a Kick Out of You,’ ‘You’re the Top,’ ‘Friendship,’ ‘It’s De-Lovely,’ and ‘Anything Goes’ - and that’s just Act I,” DiPietro said.Īct II only continues the Porter hit parade with “Blow, Gabriel, Blow” and “All Through the Night,” along with a host of other tunes.ĭiPietro thinks that this particular show is one of American musical theater’s early touchstones. “Anything Goes” contains a bevy of some of Cole Porter’s greatest hits. Choreography is by Sarah Nowak with vocal direction by Mandy Kruse and music direction by Ray Novak.
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